Judit Csotsits Art

Judit Csotsits Art

My sculptures evoke a sense of magic and mystery, rooted in the natural world and the timelessness of myth. Each piece is a quiet embodiment of feminine presence—delicate yet powerful, introspective yet engaging. Crafted in hues of green and copper, the materials themselves reflect a conversation between earth and spirit, decay and transformation, growth and memory.

These figures emerge as mythological beings—part human, part nature—with faces that recall the women of old stories, and bodies that blur into leaf-like forms and horned silhouettes. Their shapes are abstracted, echoing the forest’s wild elegance and the surreal symbolism found in Eastern European fairy tales that shaped my imagination as a child. Stories like Hans Christian Andersen’s The Little Mermaid continue to resonate with me, especially the archetypal expressions of femininity—innocent yet self-aware, searching yet grounded.

Through these sculptures, I explore a feminine sensibility and identity that is multifaceted and mythic. They stand not as passive figures, but as contemplative beings, inviting the viewer into their world of reflection. There is a quiet strength in their presence—an invitation to connect, to remember, and to see oneself mirrored in the otherworldly gaze of the feminine divine.




In my paintings, viewers can discern echoes of topographical riverbeds and the undulating surface of bodies of water. Be it the correlation between riverbed width and channel size, the resemblance of leaf veins to trees and their branches, or the resonance between foam patterns and ocean waves, my paintings reflect these structures of nature. My fascination with the underlying structure of natural forms reflects my belief in the guiding intelligence inherent within the universe. As consciousness manifests itself in the human form and we come to see ourselves as inherently and inextricably linked with nature as in Pollock’s famous statement: “I am nature”, our relationship and behavior regarding natural resources can dramatically shift. If we remove the distinction between ourselves and all of nature and begin to perceive ourselves as a direct extension of nature, we can come to perceive the inherent value and subjective experience of all life forms. 

Paintings

Charcoals- Suspended Being

Abstract charcoal drawings featuring layers on transparent subtle greys evoke a sense of dynamic movement, resembling creatures in flux or ethereal landscapes crafted solely from the interplay of motion and texture. The fluidity of charcoal allows for organic forms to emerge, quietly inviting the viewer to explore the contrasts between light and dark. Each stroke creates a depth that feels alive, as if the images are breathing and shifting, suggesting an ever-changing environment where the boundaries between the real and the imagined blur. Through these layers, the artwork captures an essence of fluidity and transition, making the viewer feel as though they are witnessing a moment frozen in motion, teeming with energy and potential as an ethereal being.